Life-size statues depict the corporal work of mercy of visiting the sick in the Nativity scene in St. Peter’s Square at the Vatican Dec. 14. (CNS photo/Junno Arocho Esteves)
By Cindy Wooden
Catholic News Service
VATICAN CITY — The Nativity scene in St. Peter’s Square is not getting rave reviews: The backdrop does not look like a stable and the characters in need — hungry, naked, dead, imprisoned — don’t exactly evoke a silent night when all was cozy, calm and bright.
Franciscan Father John Puodziunas said he didn’t like it at first.
In addition to Mary and Joseph — baby Jesus will appear only on Christmas — the scene includes figures of people who illustrate the ongoing need for the corporal works of mercy, including feeding the hungry, clothing the naked, burying the dead, caring for the sick and visiting those in prison.
As Father Puodziunas, a friar from Philadelphia who is now general treasurer of the Order of Friars Minor, stood in St. Peter’s Square, he said he realized “this really captures what I believe the Nativity set is about. It’s about ‘Where am I today? Where is the world today? Where is the church today?’”
The Vatican display, he said, “brings the manger scene into our present world reality to remind us that this is a God who continues to step into our world. It isn’t just something that happened 2,000 years ago.”
According to legend, it was St. Francis of Assisi, the founder of Father Puodziunas’ order, who invented the Nativity scene in 1223 by bringing straw, an ox and an ass to the side of a hill where Christmas Mass was about to be celebrated.
Father Puodziunas conceded Nativity scenes may have been around before St. Francis brought one to life in Greccio, Italy, but the Franciscan is certain the friars were responsible for spreading the tradition and bringing it into people’s homes.
“Why did St. Francis do the crib scene on the side of the mountain? Because the people were not able to receive the child into their lives,” he said. Back then, like today, the obstacles may have been “busyness or anger or war or the past or concerns.”
But by bringing the people of Greccio to the manger, he said, St. Francis hoped they would be able to experience again the power and awe of God taking human flesh, becoming one of them and then offering his life for them.
“The whole idea of the creche speaks to so many feelings and emotions we have,” Father Puodziunas said. “The child, manger, animals, night, outdoors, emptiness” — they all communicate feelings that endure through time and can be recreated anywhere.
St. Francis, he said, was focused on “the creche and the cross. The wood of the manger becomes the wood of the cross. This Christ that steps into a messy world — whether at the time of Christ, the time of St. Francis or our own time — is the same Christ that takes us to the cross and is the source of our salvation.”
